Download Essay Get Full Essay Get access to this section to get all the help you need with your essay and educational goals. Webster could not have oversimplified this representation more. The ancient art of king killing has existed in a myriad of different forms; stealthy, barbarian, and honorable regicides have been recorded liberally in both literature and the annals of history.
Hamlet and Macbeth Essay Hamlet and Macbeth The Elizabethan age was a curious admixture of rationalism and superstition, religious dogmatism and scientific exploration, an increased fervor for the literary arts and a zest for sea-bound ventures seeking new horizons.
Shakespeare responded to the pulse of his Elizabethan audience by incorporating the elements of dramatic entertainment within the ambit of his plays.
His later tragedies testify to his perceptive sensibilities about the concerns of his era. The stratified society of the age was immersed in beliefs about the supernatural world and Shakespeare fused these popular notions with the themes of his tragedies, creating masterpieces like Hamlet and Macbeth.
John Wilson aptly puts it: The image of the Ghost is in conformity with the Elizabethan idea of the supernatural: The master dramatist tries to stroke the figure of the spirit as concretely as possible: Marcellus— Is it not like the king?
Horatio— As thou art to thyself: The whole atmosphere of Denmark is dark with foreboding almost in the manner of the unnatural occurrences before the assignation of Julius Caesar and the fair and foul weather in which the weird sisters are introduced in Macbeth.
Like the apparition in Hamlet initiates the dramatic action in the play, the three witches in Macbeth set the ball rolling for Macbeth as he returns from loyal exertions on the field defending the throne of Duncan. The meeting on the heath leads to the fermentation of the dormant ambition festering in his bosom.
The words of Lady Macbeth act as a catalyst, speeding up the process of gaining maximum returns through evil shortcuts of murder and treachery. Interestingly, there are diverse theories regarding the significance of the witches in the life of the tragic protagonist. The convenience of the witches thus is a direction to the shortest route to success, paving the way for Macbeth to trudge through the bloody mire of murder and betrayal for the power of the scepter of Scotland.
And this, it seems, is the question that the poet is endeavoring to solve. Unlike the supernatural role in Hamlet however where the Ghost urges the prince to think about the means and mode of retribution, Macbeth is not directed to take any specific action by the witches, or later Hecate.
The tragic protagonist himself is responsible for thinking immediately of murdering Duncan as assuredly the quickest way to the Scottish throne with his wife as his accessory in crime.
The weird sisters bring to the fore the deep-seated desire of the brave general to upgrade himself to the heights of kingship through fair or foul means; however, the witches simply direct Macbeth up the primrose way to the everlasting bonfire.
It is the moral failure of Macbeth to resist the evil scope revealed by the witches in contrast to the reaction of Banquo. When the sisters predict great promotions for Macbeth, the latter is enveloped in fantasies of royalty, yet the visions of greatness shown to Banquo fail to stir him in the same manner.
Macbeth— The thane of Cawdor lives: Who was the thane lives yet; But under heavy judgment bears that life Which he deserves to lose. Macbeth Act I Sc iii ll. John Dover Wilson explains: Hamlet is a conglomeration of certain forces which mould him to act in the way he does in the play.
Untampered by these calls to duty and murder, Hamlet would have remained the philosophical scholar he was at the beginning of the drama, mourning the untimely loss of his father, a dutiful son to Gertrude, intensely in love with Ophelia and faithful as a friend to Horatio.Shakespeare uses the crime, its initial aftermath and its long-term consequences to develop the main characters of the play, deepening the audience's understanding primarily of Macbeth but also of Lady Macbeth and Banquo.
Juxtaposition of the use of regicide in Shakespeare's Hamlet and Macbeth.
"Crowing achievements are best made in cold blood" Regicide is defined by the Webster's Dictionary as "The killing of a king".
Webster could not have oversimplified this representation more. Within Shakespeare's Hamlet, juxtaposition is used to achieve many purposes such as to enhance mood, re-establish themes and to illustrate characterization.
The characters of Hamlet and Ophelia are an example of how Shakespeare uses juxtaposition to clearly illustrate traits of his characters. In Hamlet and Macbeth, William Shakespeare uses four acts of regicide to bring to light the important motives of the killers, and through the motives showcase the protagonists’ tragic flaws.
There are two instances of regicide in both “Hamlet” and “Macbeth”. The Use of Symbols in Macbeth.
In the play Macbeth, Shakespeare uses many symbols to add to his story. His use of. Juxtaposition of the use of regicide in Shakespeare's Hamlet and Macbeth. Scene 3, Line 51) However, Macbeth allowed his ambition to override his moral constraints, and much like Claudius in "Hamlet", he killed King Duncan.
Hamlet and Macbeth, with their similarities and differences in mental and moral make-up, testify to this universal truth and remain immortal creations of the Shakespearean niche of tragic heroes. Works Cited. Muir, Kenneth. Shakespeare’s Tragic Sequence. Abingdon: Routledge, Shakespeare, William.
The Tragedy of Hamlet, Prince of Denmark.